Reviews

An opera without music Scena Theatre’s production of Guilt soars beyond big-emotion melodrama (and without the beauty and power of operatic music) whenever Nanna Ingvarsson (as a cloistered, tough-minded, seemingly sexually-repressed nun) and Danielle Davy (an at-first …

Over the course of the brief piece, Ingvarsson is hidden behind a dark wall, with an aperture revealing her frenetically moving mouth. It’s a tour de force by the actress, who generates welcome bursts of humor with her squawks and scoffs, even as her agitated speech evokes a …

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it …

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it …

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it …